The first review of ACCEPTANCE is out! It’s reviewed by Lena Byström who has freelanced in all of Sweden’s orchestras, opera houses, county music departments and private theaters in Stockholm, and made a series of television, radio and album recordings. And for ten years, she was the orchestra director of the Symphony Orchestra at the Norrland Opera House and the Nordic Chamber Orchestra.
Here’s a few outtakes from the review:
”Tomas deft piano playing is present and the technical evenness required for this kind of minimalist music is there”
”I like that the album offers more elaborate compositions where the musical ideas wears longer. I also like the longer phrases, the longer lines in the music and the more advanced harmonies”
”Favorite song on my part this time is ”Forever” that feels lighter than many of Tomas earlier compositions and where his piano appropriation is more sensitive than some of the other songs”
You can read the full review (in swedish) here.
That’s all for now. Have a joyful weekend! I love you all.